Critical Race Theory and Copyright in American Dance
Caroline Joan S. Picart
Palgrave Macmillan, 2013
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The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.
- ISBN-13
- 9781137321961
- ISBN-10
- 1137321962
- Publisher
- Palgrave Macmillan
- Year
- 2013
- Publication date
- 2013-11-07
- Pages
- 243
- Dimensions
- 222x138x19
- Weight
- 428